At the Galleries

Last fall’s exhibitions ranged from the mesmerizing to the exasperating, in a wide variety of mediums—video, machine carved stainless steel, acrylic polymer sheets, manipulated wood, and even paint on canvas—and an equally wide variety of approaches—fidelity to perception, rigorous conceptualization, intuitive abstraction, and more. If nothing else, this proliferation confirmed that there is no dominant […]