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The
Hudson
Review

A Magazine of Literature and the Arts

“Since the spring of 1948, when its first issue appeared, The Hudson Review has been a welcome voice of urbanity and sophistication in the world of American arts and letters.”

— The New Criterion

Autumn 1952 (Volume V, No. 3)


To an Old Philosopher in Rome; The Poem That Took the Place of a Mountain; Vacancy in the Park; Two Illustrations That the World Is What You Make of It; Prologues to What Is Possible; Looking across the Fields and Watching the Birds Fly; Song of Fixed Accord; The World as Meditation

    Poetry
  • by Wallace Stevens

The Man of Letters in the Modern World

    Uncategorized
  • by Allen Tate

Jack the Giant Killer

    Poetry
  • by Milton Klonsky

Very Sharp for Jagging

    Fiction
  • by Richard Clay

I Only Am Escaped Alone to Tell Thee; The Gulls; Truth; Fall Song

    Poetry
  • by Howard Nemerov

Still Waters

    Fiction
  • by Thomas Sterling

Apocalypse; Figure for Prayer

    Poetry
  • by Carol Johnson

Joyce’s “Exiles”

    Criticism
  • by Hugh Kenner

The Word Was His Oyster

    Criticism
  • by James Johnson Sweeney

Terror and Self-Pity: Alban Berg’s Wozzeck

    Arts Review
  • by Joseph Kerman

Rashomon and the Fifth Witness

    Arts Review
  • by George Barbarow

London Letter

    Comment
  • by Geoffrey Rans

book review

    Uncategorized
  • by William Arrowsmith

Boswell and His Masquerade

    Book Review
  • by Robert Halsband

Dry-Goods and a Ghost

    Book Review
  • by Sidney Monas

The Root of the Matter

    Book Review
  • by Sonya Rudikoff

A Communication

    Comment
  • by Peter Russell

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