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The
Hudson
Review

A Magazine of Literature and the Arts

“The Hudson Review has remained an arbiter of good taste during decades when the idea of taste itself has been challenged as unimportant or politically incorrect.”

— The Philadelphia Inquirer

Summer 1965 (Volume XVIII, No. 2)


The Ambiguity of Fame

    Criticism
  • by E. M. Cioran

Crosswinds; Park West

    Poetry
  • by Jack Marshall

Nocturne; End of Summer; The Ageing Lovers; A Frank Talk

    Poetry
  • by William Dickey

One Night for Several Samurai

    Fiction
  • by Joseph Whitehill

The Conquest

    Poetry
  • by Lysander Kemp

Sameness; The Posada Smile; Saltpoem

    Poetry
  • by Alan Sillitoe

Equinox; Cages

    Poetry
  • by Ruth Fainlight

Mary Barnard’s Sappho

    Criticism
  • by Burton Raffel

Communication

    Comment
  • by Sidney Monas

Theatre Chronicle

    Arts Review
  • by John Simon

The Red Desert: Neurosis à la Mode

    Arts Review
  • by Stephen Taylor

Music and Ballet Chronicle

    Arts Review
  • by B. H. Haggin

The Writer’s Duty and His Predicament

    Comment
  • by Hans J. Morgenthau

Communication

    Comment
  • by Norman Podhoretz

The Countess’ Hat

    Books
  • by Howard Green

An Island of Form

    Book Review
  • by F. D. Reeve

The Big Show is Always About to Begin

    Book Review
  • by Gerald Weales

New Poems, Ancient and Modern

    Book Review
  • by Roger Sale

Opera Misconstrued

    Book Review
  • by Joseph Kerman

The Modern and How It Grew

    Book Review
  • by Marvin Mudrick

JSTOR LINK

Purchase this issue:

Summer 1965:  $40
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