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The
Hudson
Review

A Magazine of Literature and the Arts

“Since the spring of 1948, when its first issue appeared, The Hudson Review has been a welcome voice of urbanity and sophistication in the world of American arts and letters.”

— The New Criterion

Autumn 1954 (Volume VII, No. 3)


Burns and The Merry Muses

    Uncategorized
  • by Sydney Goodsir Smith

One Home; Acquaintance; Walking West; The Oregon Country; The Gun of Billy the Kid; Spaced Around; A Ritual to Read to Each Other; In the Deep Channel; The Fish Counter at Bonneville; Vacation

    Poetry
  • by William Stafford

The World of George Santayana

    Criticism
  • by Irving Singer

Icarus Before Knossos

    Poetry
  • by John Hollander

Two Gentlemen from America

    Fiction
  • by William Eastlake

The Painter

    Poetry
  • by Robert Fitzgerald

The Scourge; Rover

    Poetry
  • by Stanley Kunitz

Nocturne

    Poetry
  • by Ronald Perry

On the Parkway

    Poetry
  • by Joseph Bennett

A Narrow Escape

    Poetry
  • by James Merrill

San Francisco and Her Hateful Ambrose Bierce

    Criticism
  • by Marcus Klein

Vergil: Eclogue I

    Poetry
  • by John Thompson, Jr.

Dethe and the Goer by the Ways

    Drama
  • by Ralph Radcliffe

Conrad and the Terms of Modern Criticism

    Criticism
  • by Marvin Mudrick

The Minority Writer in England

    Comment
  • by Geoffrey Wagner

Armchair Opera

    Arts Review
  • by Joseph Kerman

Another Look at the Sitwells

    Book Review
  • by Vivian Mercier

Is There a Spanish Temper?

    Book Review
  • by Dudley Fitts

Fiction Chronicle

    Book Review
  • by Patrick F. Quinn

A Negative Heroine

    Book Review
  • by Sonya Rudikoff

Playwrights or Play-Writers

    Book Review
  • by Thomas Barbour

The Diapers of Odysseus

    Book Review
  • by William Arrowsmith

A Communication

    Comment
  • by F. R. Leavis

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