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The
Hudson
Review

A Magazine of Literature and the Arts

“This distinguished quarterly has consistently provided a refuge for intelligent, unacademic criticism of literature and the arts, as well as some of the most thoughtful contemporary poetry and short fiction.”

— The New Criterion

Autumn 1957 (Volume X, No. 3)


The Farmers’ Daughters

    Fiction
  • by William Carlos Williams

The Realistic Oriole: A Study of Wallace Stevens

    Criticism
  • by Northrop Frye

The Bird; Orpheus in America

    Poetry
  • by Louis Simpson

From “Taliesin”; Taliesin’s Revelations

    Poetry
  • by Daniel Hoffman

Odysseus; In Mexico; The Ballad of Catarino Maravillas

    Poetry
  • by Lysander Kemp

The Revelation; A Balm for Easy Tears; Merlin Buried in Moonlight

    Poetry
  • by James Wright

Observations at Aquidneck

    Poetry
  • by John Fandel

Florentine Easter; Florentine Easter II; Equinox; Sonnet

    Poetry
  • by Leonard Wolf

Poem; Hymn; The Watch

    Poetry
  • by A. R. Ammons

The Work of Art

    Poetry
  • by James Dickey

The Cage and the Prairie: Two Notes on Symbolism

    Criticism
  • by Marius Bewley

Henrik Ibsen: The Fifty-First Anniversary

    Criticism
  • by Robert Martin Adams

Notes on the “School of Anger”

    Comment
  • by John Holloway

Dance Chronicle

    Arts Review
  • by William S. Poster

Painters Over Seventy-Five

    Arts Review
  • by Kenneth B. Sawyer

Romantics, Critics, Historicists

    Book Review
  • by Roy Harvey Pearce

Poets in Isolation

    Book Review
  • by Louis Simpson

Two Liberals, One Aesthete

    Book Review
  • by Benjamin DeMott

Give Me a Tune I Can Whistle

    Book Review
  • by Gerald Weales

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To read this work, purchase the issue from The Hudson Review. It is available digitally through institutions participating in JSTOR's Arts & Sciences V collection at www.jstor.org.

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