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The
Hudson
Review

A Magazine of Literature and the Arts

“This distinguished quarterly has consistently provided a refuge for intelligent, unacademic criticism of literature and the arts, as well as some of the most thoughtful contemporary poetry and short fiction.”

— The New Criterion

Spring 1997 (Volume L, No. 1)


The First Annual Performance Art Festival at the Slaughter Rock Battlefield

    Fiction
  • by Thomas M. Disch

New Translations from Cavafy

    Poetry
  • by Daniel Mendelsohn

New Translations, by Daniel Medelsohn

    Poetry
  • by Constantine Cavafy

Southern Classics

    Criticism
  • by Susan Balée

Irish Poetry at the Crossroads

    Criticism
  • by David Mason

Harold Bloom and King Lear: Tragic Misreading

    Criticism
  • by Carol Iannone

The Scandal; What Bill Stafford Was Like

    Poetry
  • by Robert Bly

Before the Beginning: Maybe God and a Silk Flower Concubine Perhaps; Come, Drink Here

    Poetry
  • by Pattiann Rogers

The Harp Seal

    Poetry
  • by Robin S. Chapman

Oxford Meeting; The Telling

    Poetry
  • by Colette Inez

Frogs Returning Moon; Hop Fields in Winter

    Poetry
  • by Floyd Skloot

Musée d’Orsay

    Poetry
  • by Brian Cox

The Arrival

    Poetry
  • by John Drexel

Woodman

    Poetry
  • by Ruth Fainlight

Road Fever

    Arts Review
  • by Bert Cardullo

Bits and Pieces

    Arts Review
  • by John Loughery

Hiroshima et l’amour

    Arts Review
  • by Richard Hornby

Discovering Ives, Once Again

    Book Review
  • by Josiah Fisk

Poetry Chronicle

    Book Review
  • by Robert McDowell

Assessing the New Formalism, So-Called

    Book Review
  • by Robert Phillips

Telling Stories About the Bartrams

    Book Review
  • by Harold Fromm

Familiar Capability

    Book Review
  • by Thomas Filbin

The Joy of Reasoning

    Book Review
  • by Thomas M. Disch

At the Goreyworks

    Book Review
  • by William H. Pritchard

JSTOR LINK

Purchase this issue:

Spring 1997:  $40
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