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The
Hudson
Review

A Magazine of Literature and the Arts

“The Hudson Review is rare in having remained a forum for intelligent, well-written criticism and cultural commentary on a broad spectrum of topics . . . it belongs to a tiny handful of magazines where the first criterion of inclusion is literary merit.”

— The Wall Street Journal

Winter 1990 (Volume XLII, No. 4)


An Argument for Diversity

    Criticism
  • by Wendell Berry

All in a Day’s Work

    Fiction
  • by Carl Wooton

The Big Drop

    Memoir
  • by Carl Djerassi

From O’Keefe and Stieglitz

    Poetry
  • by David Dooley

Letter from a Connecticut Country House; Talking with Poets; On the New Haven Line

    Poetry
  • by Dick Allen

The Poetry Anthology

    Criticism
  • by Robert McDowell

What Is Most American Is Most in Motion

    Poetry
  • by Joyce Carol Oates

Snowlight

    Poetry
  • by Robert Schultz

Black and White, in Color

    Arts Review
  • by Bert Cardullo

Shadows Past and Future

    Arts Review
  • by Marcia B. Siegel

The London Theatre

    Arts Review
  • by Richard Hornby

Music Chronicle

    Arts Review
  • by Robert S. Clark

Recuperating Austen

    Book Review
  • by Clara Claiborne Park

Tolstoyevsky

    Book Review
  • by Joseph Frank

Serendipity

    Book Review
  • by Gary Krist

Hope and Illusion in a Late Age: The Poetics of Yves Bonnefoy

    Book Review
  • by Emily Grosholz

Poetry Chronicle

    Book Review
  • by Andrew Hudgins

Sound and Fury

    Book Review
  • by William H. Pritchard

Vessels of Consciousness

    Book Review
  • by George Core

JSTOR LINK

Purchase this issue:

Winter 1990:  $40
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