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The
Hudson
Review

A Magazine of Literature and the Arts

“Since the spring of 1948, when its first issue appeared, The Hudson Review has been a welcome voice of urbanity and sophistication in the world of American arts and letters.”

— The New Criterion

Spring 1952 (Volume V, No. 1)


The Cyclops, trans. from Euripides

    Uncategorized
  • by William Arrowsmith

Beethoven: The Single Journey

    Arts Review
  • by Joseph Kerman

Translations from Horace and Catullus

    Poetry
  • by Robert Fitzgerald

Three Provençal Poets, translations

    Poetry
  • by Paul Blackburn

Four Portuguese Poets, translations

    Poetry
  • by W. S. Merwin

Faq’

    Fiction
  • by George P. Elliott

A Poem for Julia

    Poetry
  • by Anthony Hecht

Orfeo; The Bed

    Poetry
  • by James Merrill

The Horseshoe Crab

    Poetry
  • by Gene Baro

Words in Winter

    Poetry
  • by Harold Kaplan

Sudden Danger

    Fiction
  • by George Stiles

arts review

    Uncategorized
  • by William Becker

English Literary Magazines

    Criticism
  • by Geoffrey Rans

Traduttore—Traditore

    Criticism
  • by Vivian Mercier

The Unity of Billy Budd

    Criticism
  • by Ray B. West, Jr.

Neo-Classicism and the French Novel

    Book Review
  • by Joseph Frank

Alice in Empsonland

    Book Review
  • by Hugh Kenner

A Central Poetry

    Book Review
  • by C. Roland Wagner

Clarity and Force in Gertrude Stein

    Book Review
  • by Sonya Rudikoff

Seven Novels

    Book Review
  • by Frederick Morgan

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To read this work, purchase the issue from The Hudson Review. It is available digitally through institutions participating in JSTOR's Arts & Sciences V collection at www.jstor.org.

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