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The
Hudson
Review

A Magazine of Literature and the Arts

“Since the spring of 1948, when its first issue appeared, The Hudson Review has been a welcome voice of urbanity and sophistication in the world of American arts and letters.”

— The New Criterion

Spring 1953 (Volume VI, No. 1)


Father and Son

    Fiction
  • by Italo Svevo

The Death-Bell

    Poetry
  • by Vernon Watkins

Women in Love and Death

    Criticism
  • by Mark Schorer

Beasts; The Pelican; The Nature of The Whale

    Poetry
  • by Richard Wilbur

Keen for Bridget Kelly; For His Friend, the Lover, Now at Liberty

    Poetry
  • by William Alfred

Arlington Cemetery Looking Toward the Capitol; Revelation; Caesar

    Poetry
  • by Winthrop Palmer

Papa Haydn’s Dead and Gone

    Fiction
  • by Ben Reid

To Those Canopic Ladies; Quid Dubitas?; The First Dilettante

    Poetry
  • by Shirley Freisinger

Five Poems for Pierre de Ronsard

    Poetry
  • by Richard Howard

Where the Tall Corn Grows; Life Cycle

    Poetry
  • by Mac Hammond

The True Voice of John Keats

    Criticism
  • by Herbert Read

A Note on the Metaphysicals

    Criticism
  • by Malcolm M. Ross

Perfection of the Life, or of the Work?

    Book Review
  • by Vivian Mercier

Chaucer and What We Make of Him

    Book Review
  • by Marvin Mudrick

Six Poets

    Book Review
  • by Frederick Morgan

The Opera House of His Ego

    Book Review
  • by Robert Martin Adams

Eccentric’s Pilgrimage

    Book Review
  • by R. W. B. Lewis

The Servant’s Looking-glass

    Reviews
  • by Hugh Kenner

The Contradictions of S. Eisenstein

    Book Review
  • by George Barbarow

Shakespeare at Thirty

    Criticism
  • by John Berryman

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