Category: Criticism Winter 1969 Valéry: The Dance of Words by Victor Brombert Autumn 1968 Oedipus: The Religious Issue by George E. Dimock Autumn 1968 Pinter’s Homecoming: The Shock of Nonrecognition by Bert O. States Summer 1968 Poetry Modern and Unmodern by Allen Tate Summer 1968 Toward the Quintessential Burke by Neal J. Osborn Spring 1968 Vastations of Will by Herbert Gold Spring 1968 The New Gods by E. M. Cioran Spring 1968 The Cult of Sincerity by Herbert Read Spring 1968 The Naiveté of Verdi by Isaiah Berlin Winter 1968 Abuse of Privilege: Lowell as Translator by John Simon Winter 1968 Italo Svevo and Ripe Old Age by François Bondy Winter 1968 The Blakean Intellect by Thomas P. Wolfe Autumn 1967 A Meaning of Robert Lowell by Hayden Carruth Summer 1967 The Evil Demiurge by E. M. Cioran Summer 1967 Down Among the Phenomena by Robert Martin Adams Spring 1967 The Case for Plot in Modern Drama by Bert O. States Winter 1967 The Snares of Wisdom by E. M. Cioran Winter 1967 The Delinquent Aesthetic by A. Alvarez Autumn 1966 The Achievement of William Empson by Roger Sale Autumn 1966 The Radicalism of Lady Chatterley’s Lover by Calvin Bedient Autumn 1966 The Criticism of B. H. Haggin by Seymour Rudin Summer 1966 Coriolanus—and the Delights of Faction by Kenneth Burke Summer 1966 A Note on Hardy’s Stories by Irving Howe Summer 1966 Kenneth Burke’s Desdemona by Neal J. Osborn Spring 1966 The Value of Art in an Expanding World by Kenneth Clark Spring 1966 An Epic of Immobility by Victor Brombert Winter 1966 On the Methods and Ambitions of Poetry by Anthony Hecht Winter 1966 Love in Ovid and Lucretius by Irving Singer Autumn 1965 The House of Yeats by B. L. Reid Autumn 1965 Rationalism and the Discursive Style by Russell Fraser Summer 1965 The Ambiguity of Fame by E. M. Cioran Summer 1965 Mary Barnard’s Sappho by Burton Raffel Spring 1965 Detective Fiction: A Modern Myth of Violence? by Brigid Brophy Spring 1965 Dirty Words? by Benjamin DeMott Winter 1965 Shakespeare: The Anniversary Year in Retrospect by Patrick Cruttwell Winter 1965 Isak Dinesen by Howard Green Winter 1965 The Stream of Conscience as a Form in Fiction by Alan Friedman Autumn 1964 Mailer and Styron: Guests of the Establishment by Marvin Mudrick Summer 1964 England’s Parnassus: C. S. Lewis, Charles Williams and J. R. R. Tolkien by Roger Sale Spring 1964 A Portrait of Civilized Man by E. M. Cioran Spring 1964 The Lion Hunt by John Holloway Spring 1964 On Form by Kenneth Burke Winter 1964 Definition of Man by Kenneth Burke Winter 1964 Colette, Claudine, and Willy by Marvin Mudrick Autumn 1963 Reflections on Religion by Mark Twain Autumn 1963 The Choreography of the New Novel by J. Mitchell Morse Autumn 1963 Notes on Italian Literature, 1960-63 by Elena Croce Summer 1963 The End of the Renaissance? by Leonard B. Meyer Spring 1963 A Defense of Fiction by George P. Elliott Spring 1963 Bruno’s Last Meal in Finnegan’s Wake by Thornton Wilder ← Older articles Newer articles →