Category: Criticism Summer 1989 Holroyd/Strachey/Shaw: Art and Archives in Literary Biography by Harold Fromm Summer 1989 Landscape and Fiction: Jean Renoir’s Country Excursion by Gilberto Perez Spring 1989 Talking Back to the Speaker by Clara Claiborne Park Spring 1989 An American Woman of Letters by Sonya Rudikoff Winter 1989 Helen Vendler, Poetry Critic by Bruce Bawer Autumn 1988 Northrop Frye and the Anatomy of Wit by Bert O. States Autumn 1988 Goethe in English by Theodore Ziolkowski Summer 1988 Montaigne Our Contemporary by Monroe K. Spears Spring 1988 Zola and Manet: 1866 by Frederick Brown Spring 1988 The Poet’s Theme by Louis Simpson Winter 1988 Windows: From Rousseau to Baudelaire, by Jean Starobinski by Richard Pevear Winter 1988 Windows: From Rousseau to Baudelaire, trans. by Richard Pevear by Jean Starobinski Winter 1988 The History of a Little Girls’ Game by Temma Ehrenfeld Winter 1988 Jekyll/Hyde by Joyce Carol Oates Autumn 1987 Notes on the New Formalism by Dana Gioia Autumn 1987 The Poetry of Ted Hughes by Herbert Lomas Autumn 1987 The Squirrel’s Heartbeat: Some Thoughts on the Later Style of Henry James by Michael Kellogg Summer 1987 Tuesday at the Met by Maureen Mullarkey Summer 1987 The Successful Career of Robert Bly by Dana Gioia Summer 1987 Phaedra in Tact by Alan Shaw Summer 1987 The Lives and Deaths of Charlotte Brontë: A Case of Literary Politics by Harold Fromm Spring 1987 Writer and Region by Wendell Berry Spring 1987 The Devil and American Epic by John P. Sisk Spring 1987 A Sad and Beautiful Film by Nikki Stiller Winter 1987 Hamlet’s Older Brother by Bert O. States Winter 1987 Brothers Under the Skin: O’Neill and Williams by John Simon Winter 1987 Jazz: The Aesthetics of Imperfection by Ted Gioia Autumn 1986 The Lesson of the Tower by David Ehrenfeld Autumn 1986 Departure of the Body Snatchers, or the Confessions of a Carbon Chauvinist by David Lavery Summer 1986 The Reckless Disciple: Godwin’s Shelley by George Watson Summer 1986 Jude the Obscure and the Fall of Phaethon by Paul Pickrel Summer 1986 Milosz and the Moral Authority of Poetry by Emily Grosholz Spring 1986 William James as Culture Hero by Monroe K. Spears Spring 1986 I Think, Therefore I Dream by Bert O. States Winter 1986 Leonard Woolf and His Virgins by Harold Fromm Winter 1986 The Book of Proverbs by David Robertson Autumn 1985 Tocqueville and the Burden of Liberty by George Watson Autumn 1985 The Critic as Anti-Hero: War Poetry by Herbert Lomas Summer 1985 The Roots of Prophecy: Orwell and Nature by David Ehrenfeld Winter 1985 Disorder and Escape in the Fiction of V.S. Naipaul by Louis Simpson Autumn 1984 Anthony Powell’s Gift by William H. Pritchard Autumn 1984 The Public Servant by Marvin Mudrick Summer 1984 Even-Handed Oddness: George Gissing’s The Odd Women by Wendy Lesser Summer 1984 The Last Great Composer by Marvin Mudrick Summer 1984 The Double Vision of Greek Tragedy by Eric A. Havelock Summer 1984 Illuminated Books by James Finn Cotter Spring 1984 The Barrier of a Common Language: British Poetry in the Eighties by Dana Gioia Spring 1984 Lyric Narration: The Chameleon Poet by Robert Pack Winter 1984 I Only Like It Better When the Pain Comes: More Notes Toward a Cultural Definition of Prizefighting by Gerald Early Autumn 1983 Flaubert in Egypt by John Finlay ← Older articles Newer articles →