The
Hudson
Review

,

John Loughery


Articles by John Loughery
Spring 2017

Cast Ashore: Minor Lives Among Minor Lives

Spring 2003

Canons and Causes

Winter 2003

Appetite: Surfeit and Wonder

Summer 2002

Sexual Violence: Baroque to Surrealist

Spring 2002

Americana

Winter 2002

The Romantic Impulse

Autumn 2001

Early Chagall, Late Gehry

Summer 2001

The Example of Alfred Stieglitz

Spring 2001

Archival Abstraction

Winter 2001

The Future of Museums: The Guggenheim, MoMA, and the Tate Modern

Autumn 2000

Ever at the Crossroads

Summer 2000

Forms of Worship

Spring 2000

Sensations

Winter 2000

The Portraits of Ingres

Autumn 1999

Portraiture: Public and Private Lives

Summer 1999

The Hard Subjects

Spring 1999

Rothko or Pollock?

Winter 1999

Urban Drama

Autumn 1998

Sex Survey

Summer 1998

Subject Matter in Modern Art

Spring 1998

American Art: The Center and the Edge

Winter 1998

The Public Domain

Autumn 1997

The Telling Detail

Summer 1997

Approaches to the Sacred

Spring 1997

Bits and Pieces

Winter 1997

The Flag: Waving, Burning, Provoking

Autumn 1996

Woman as Other

Summer 1996

Abstract Visions/Metropolitan Lives

Spring 1996

The Real Thing

Winter 1996

American Treasures: Whistler, Stettheimer, Scully

Autumn 1995

Just Deserts

Summer 1995

Redefining an Art Form

Spring 1995

Faded Glory

Winter 1995

The Great Dare

Autumn 1994

Uncharted Paths

Summer 1994

Reality Check

Spring 1994

Representative Men

Winter 1994

The Big Picture

Autumn 1993

Of Patrons and Painters

Summer 1993

Canonizing

Winter 1993

The Guggenheim Returns

Autumn 1992

Bearing Witness

Summer 1992

Minor Masters, Neglected Giants

Spring 1992

History, Identity, and Other Big Questions

Winter 1992

The Fate of the Avant-Garde

Autumn 1991

Diminishing Returns: Malevich to Salle

Summer 1991

Titian, Tanner, and the Remade SoHo

Spring 1991

Glasnost Hopes, MoMA Failures

Winter 1991

The Emperor, His Clothes & His Critics

Autumn 1990

Early Moderns: Benton, Marin, Spencer