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Essay

• Don Quixote or the Art of Becoming   Antonio Muñoz Molina   
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Memoir

• Between Two Worlds   Victor Brombert   

Fiction

• You Are Free, Go and Fight   Cary Holladay   
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Poetry

• Pronunciation (1954–55)   Anne Stevenson   

• My Father in His Coffin   Dezső Kosztolányi   
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• Time; Cancelled; Joy   Brian Swann   

• Elegy; The Always Coming On; Two Meditations on Stone; Love’s Shadow; Quarant’anni fa   Emily Grosholz   
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• Blue Flower; Widow Road   Rachel Hadas   
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• Cocke County Backdrop; The Way Girls Stand in Pictures   Angie Hogan   
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• In Our Unexpected Future; The Carcass Coat’s Journey; Dream Strawberry   Molly Peacock   
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• Here, in the Piedmont; Judith   Patricia Hooper   

• Ode to Louis-Philippe; Replacements   Maura Stanton   

• Rain; Uneasy, in the Silent Night   Jayanta Mahapatra   

• Fish Dinner with Oysters Stripped of Their Pearls   Colette Inez   

• When in Its Ease the Vine’s Sap Comes; Stone Overhand at Hardt   Daniel Tobin   

Chronicles

• Old Ballet/New Ballet   Marcia B. Siegel   
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• How Real Is It?   Brooke Allen   

• At the Galleries   Karen Wilkin   

• The King and I at Lincoln Center   Erick Neher   
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Reviews

• The Judgment of Poetry   Mark Jarman   

• Elegy in the Neo-Shadow: Forms and Variations   Meg Schoerke   

• Awe for Auden   David Mason   

• The Genius of Clive James   William H. Pritchard   

• Baggy Monsters and Tangled Tales   Carol T. Christ   
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• Hawks, Fens, and Watching Birds   Dean Flower   

Comment

• Letter from Greece   A.E. Stallings   
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• Letter from Delhi   Susan Balée