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Erick Neher


Articles by Erick Neher

The Ubiquity of Sondheim

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Four Summer Films

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Two Classics: Reaffirmation and Reinvention

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Theatrical Empathy in Two Plays

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Film Chronicle

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Into the Woods in Revival

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Funny Girl and the Streisand Phenomenon

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The London Theater Season

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Directors and Films

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Two Cinematic Takes on Masculinity

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Late Pandemic Theater from the U.K.

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American Stories

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Is It Theater? New Plays in the Current Moment

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Dystopian Animation: The Wolf House

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Pandemic Theater

West Side Revolution

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Questions of Identity: The Fall Theater Season

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Tootsie, Then and Now

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Interpreting Horror: Jordan Peele’s Us

Theater Big and Small: The Fall Season in New York

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Summer at the Shaw Festival

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Reviving Romances: Carousel and My Fair Lady on Broadway

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A Revolution in Progress

At The Public Theater

Summer Blockbusters

Leading Ladies

Signifiers on Parade: La La Land and the Movie Musical

The Brooklyn Marathon: Taylor Mac’s A 24-Decade History of Popular Music

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Our Greatest Actress

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The Other Musicals

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The Art Song Recital in Review

The New Immersive Theater

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New York Chronicle

Conductor Versus Conductor

From Theater to Opera: Directors Crossing Over

The King and I at Lincoln Center

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Satyajit Ray’s Apu Trilogy Restored

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Men and Their Egos

Men at Work

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Richard Linklater’s Sculpture in Time

Theater on Theater

The Perils of Adaptation

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Summer Music on Two Coasts

Movie Music at the Philharmonic

The Late Style of Woody Allen

Brecht and the Spring Theater Season

In Praise of Boring Films

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The Complete Toscanini

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Summer Opera in Santa Fe

The Metropolitan Opera: Fall 2009 Season

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Dudamel, Domingo, Villazón and the New Classical Music

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On the Booing of La Sonnambula

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New York’s Spring Season

Classical Music and Its Venues

The Metropolitan Opera: Fall 2009 Season

The Glimmerglass Season 2009