The Hudson Review

Spring 2010: Vol LXIII, No. 1

    Essay

  • The Poem and the Path   Andrew Motion

  • Macauley Reconsidered   William H. Pritchard

    • Fiction

  • Later   Igor Webb

    • Poetry

  • Angel Junkman at All Souls' Abyss; Miniature Histories of the World; Novella: Synopsis   J. Allyn Rosser

  • Caught; In the Daily Grind Café; A Lenten Observance   Peter Makuck

  • Leaving the Game; Good & Plenty; Cicada   Andrew Hudgins

  • Of Being and Becoming   Daniel Corrie

  • The Silence   Chard deNiord

  • From Function, Form   Rebecca Foust

  • A Morning in Early Spring; Vulture; We Were Once Young   Ted Kooser

  • Trifocals; Carried Away   April Lindner

  • The Roentgens; Flirting; Medicine Cabinet   Michael McFee

  • Prayer; World As Is   Eamon Grennan

    • Chronicle

  • Music   Erick Neher

    New venues for classical music

  • Art   Karen Wilkin

    Albert Kresch, Kenneth Noland and, in Rome, Beatrice Caracciolo

  • Theatre   Richard Hornby

    “Making the Scene: A History of Stage Design and Technology . . .”

  • Dance   Marcia B. Siegel

    The lives of ballet dancers as told in books

    • Review

  • A Cultural, Not a Literary History   Sergio Perosa

    “A New Literary History of America” from Harvard U. Press

  • Paris as Seen by the Paintbrush   Alfred Corn

    “The History of Paris in Painting,” ed. by Georges Duby and Guy Lobrichon

  • Gorgeous, Gallant Galleries   R. S. Gwynn

    “The Swallow Anthology of New American Poets,” ed. by David Yezzi

  • Risky Adventures   Alan Davis

    Xiaoda Xiao, Alina Bronsky, Jorge Volpi, Richard Powers, Paul Auster

    • Comment

  • Letter from Damascus   Brooke Allen